No one died or, perhaps more importantly, got fat. .They made it and lost it, rehabbed and regained it, confessed their sins and, among atoning for lost wives and discarded lovers, one of them even discovered a secret daughter who grew up to be one of the most celebrated American actresses of our time. The third, from 1988 to the present, involved a resurrection that turned five wasted lags into the pre-eminent corporate rock cartoon of our time. The second, from 1979-1987, saw the band enter a freefall so swift and severe that insiders were taking bets on how long individual members had to live. The first, from 1970 to 1978, found a Boston bar band mastering the cock-rock strut then rising to rule US stadiums amid an endless party of sex, drugs and rock 'n' roll. To appreciate why this dog-eared bunch of rockers could take on the status normally reserved for the likes of Elvis and Robert Johnson, it is necessary to understand the three stages of Aerosmith. Money makes Dallas shimmer and, on a warm spring evening, Aerosmith's Lear jet touches down as the epic US rock band prepares to siphon off several hundred thousand Dallas dollars.Īerosmith are nearly 30 and, while looking both ridiculously healthy and plain ridiculous - as a bunch of men kissing 50 but dressing like they're 15 must do - also appear set to evolve into an all-American mythic archetype.
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Considering Dallas, Texas, played host to JFK's last ride and leant its name to TV's ultimate concept of the metropolis as Babylon - two mythic archetypes of contemporary American culture - it's surprising that the city's pulse is that of a dull, dusty cow town.Īlbeit, a wealthy cow town, one whose skyline is peppered with the kind of ostentatious architecture only oil billionaires would dream of building.